Patterns
New Rainbow Graph: Early Layers:
File: Grid-Read-Right-to-Left-38-x-38-#4
Links below to view further mutations and detail:
—> New Rainbow Graph Detail
—> New Rainbow Graph Mutation
3D Modular Typography Sculpture Grid #6: Arrangement: From Ground To Ceiling: 2-3-1-4
Michael Mykola Haleta is an artist, educator, graphic designer and independent image researcher focusing on patterning systems in typography, performance and sound design.
This sculpture is part of an ongoing series of typographic forms that I am migrating into large scale 3D sculptures. Each sculpture is made of 4 distinct forms which can interlock together in a multitude of angles and ways. Each piece is meant to be reassembled into a different configuration at the end of every gallery day.
6’ 5” x 5’ 6” x 4’ 6”, CNC Router, Birch plywood, wood glue, oak dowels, 2017-2019.
B-Sides: 8B
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.
4 x 4(2) Wave Line Grid: Oct 8, 2019.
Fluorescent Activation Center Model Box 2b
Wood (Ash and Pine), Laser-Cut Fluorescent Acrylic Sheets, DMX Fluorescent Black Light Strobe.
40” w x 34” h x 9" d
Eye Tuning: Dot Line Grid Variation #4: This is from a series of experimental grids which deal with improvisation within structure. This entire series is a building block for future letterform development.
Eye Pattern Variations!
Aria DD-X10 Digital Delay Guitar Effects: Circuit Bent Pedal #6
Aria DD-X10 Digital Delay Guitar Effects: Circuit Bent Pedal #6:
Aria made cheap guitar effects pedals throughout the 1980’s that were great for circuit bending experiments. The backing on these pedals was very easy to remove which made it easy to access and play and create feedback points throughout the entire circuit board terrain. I would normally use different colored stickers and sharpie markers to create notes directly on the circuit board. These pedals sounded so great when played unconventionally! More info on this particular Aria pedal here.
Textile/Fabric Study: Habotai Silk:
32” x 40”. Edition 1/1.
B-Sides: 10B
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.
Found Ordering Object Stacking 2017 #3.A
Found Ordering Object Stacking 2017 #3.A:
From the Found Ordering Object Stacking Archive.
Improv Wiggle X Graph (The Large Dot is the End): March 9
Density Stack Grid: 138: b
From the Density Stack Grids Series:
Density Stack Grid Formations #1
Density Stack Grid Formations #2
Density Stack Grid Formations #3
Density Stack Grid Formations #4
Barcode Scan Graph: Parametric Typography: July 29, 2019.
Barcode Scan Graph: Parametric Typography: July 29, 2019.
[Excerpt taken from Wikipedia]
A barcode is a method of representing data in a visual, machine-readable form. Initially, barcodes represented data by varying the widths and spacings of parallel lines. These barcodes, now commonly referred to as linear or one-dimensional (1D), can be scanned by special optical scanners, called barcode readers. Later, two-dimensional (2D) variants were developed, using rectangles, dots, hexagons and other geometric patterns, called matrix codes or 2D barcodes, although they do not use bars as such. 2D barcodes can be read or deconstructed using application software on mobile devices with inbuilt cameras, such as smartphones.
The barcode was invented by Norman Joseph Woodland and Bernard Silver and patented in the US in 1951. The invention was based on Morse code[2] that was extended to thin and thick bars. However, it took over twenty years before this invention became commercially successful. An early use of one type of barcode in an industrial context was sponsored by the Association of American Railroads in the late 1960s. Developed by General Telephone and Electronics (GTE) and called KarTrak ACI (Automatic Car Identification), this scheme involved placing colored stripes in various combinations on steel plates which were affixed to the sides of railroad rolling stock. Two plates were used per car, one on each side, with the arrangement of the colored stripes encoding information such as ownership, type of equipment, and identification number. The plates were read by a trackside scanner, located for instance, at the entrance to a classification yard, while the car was moving past. The project was abandoned after about ten years because the system proved unreliable after long-term use.
Micro Improv Sky Study #1
Laser Cut Acrylic Modules, vectors, rulers, camera, sky, mirrors.
10” w x 10” h x .35” d
Light Diffusion Wave Layer #9
Rulers, vectors, grids, pencils, rule sets.
Original Artist Proof printed on Museum Etching Paper.
48” w x 48” h
Quad Squiggle: Straight Line Circle Splitter
3 Parts: A Circle In Four Parts Made From The Same Part, A Straight Line and A Splitter.
Original Artist Proof printed on Museum Etching Paper.
33" w x 42.5” h
Light-Diffusion-Wave-4-Builder-6 : For Left Eye:
Installation/Detail Picture
Adobe illustrator, rulers, vectors, grids, rule sets. Original Artist Proof printed on Museum Etching Paper. 48” by 48”.
Wave Line Grids: 18re
From the Wave Line Grids Series:
Wave Line Grids Grouping #1:
Wave Line Grids Grouping #2:
Wave Line Grids Grouping #3:
Wave Line Grids Grouping #4:
Fluorescent Grid Stacking System Prototype (For Strobe Light)
Materials: DMX strobe light, laser cutter, mirror, fluorescent acrylic components, Adobe Illustrator, rulers, markers.
XY Patterning Scan Grid #2 for Matt Wellins
Vectors, rulers, pencils, graph paper, grids, rule sets. Original Artist Proof 1/1 printed as a scarf on 8mm silk Charmeuse.
34" w x 25" h
Circle Texture Grid: Oct 15, 2020
Circle Texture Grid:
Link to Detail and Variations
Inter Grid #2
Inter Grid #2
Fluorescent markers, water markers, pencil, pen, highlighters, rulers, grid paper, digital print on paper.
11" w x 17" h
Futuristic Textures From The Future: Interference Pattern #56
This design was created entirely by hand and off of the computer. Each piece was meticulously extracted from vintage comic books and then glued back together in a new arrangement. The first two volumes exist in an archive online and can be seen here.
Improv Graph Grid: July 4:
Acid in the style of Hajime Ouchi.
XY Patterning File: SgT-Intergrid4x-9-21-16
Rulers, vectors, grids, pencils, rule sets.
28” w x 28” h
Combinatorial Patterning 294: A
Combinatorial Patterning Archive
Grid-Sculptures-#2+8
7” by 7” by 5.75”. Laser Cut Particle Wood, pencil, rulers, Epilog Laser Cutter 45 Watt.
B-Sides #4b
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.
Grow Grid 39xa+83
Rulers, vectors, grids, pencils, rule sets.
Original Artist Proof 1/1 printed on Museum Etching Paper.
32” w x 42” h
XY Patterning Grid: 4B #217
Adobe illustrator, rulers, vectors, grids, rule sets.
Originally created for Jeff Donaldson's experimental textile press by the name of "Glitchaus".
21" w x 25.5" h
Grow Grid 021A Effort Hill 2
Page 39 excerpt from my book with Jeremy Sigler entitled, "Improvisational Grids: Volume 1".
Rulers, vectors, grids, pencils, rule sets. Original Artist Proof printed on Museum Etching Paper. Original Artist Proof 1/1 printed on matte paper.
16" w x 24" h
24 by 24 XY-Pop #2 with yellow dots
Adobe illustrator, rulers, vectors, grids, rule sets. Original Artist Proof printed on Museum Etching Paper.
24" w by 24" h
B-Sides: 6b
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.
24 by 24 XY Scarf 3 C FINAL GOOD remix
Rulers, vectors, grids, pencils, rule sets.
Original Artist Proof 1/1 printed as a scarf onto 5mm Silk Habotai
24" w x 24"h
XY Patterning Remix: L3-P6wtest
XY Patterning Archive (over 700 unique designs) can be found here: http://xypatterning.tumblr.com.
Rulers, vectors, grids, pencils, rule sets.
15" w x 22" h
B-Sides: 5b
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.
Interference Texture Test #13b
Rulers, vectors, grids, pencils, rule sets.
24” w x 36” h
Four Variations/Four Rotations: Circle Delay Row Grid: Sept 24, 2020
Circle Delay Row Grid —>Four Variations/Four Rotations.
Decay Compiler 1a 5
Fluorescent markers, water markers, pencil, pen, highlighters, rulers, grid paper, digitally printed canvas. Grid Operator: Cara MayooskI.
50” w by 50” h
Gradient Grid #3: May 30, 2020
Gradient Grid #3 is from an ongoing series which can be visually absorbed here: Gradient Grid Mutations.
Eye Tuning Dot Line Grid: #23 White on Blue
Eye Tuning: Dot Line Grid Variation #4: This is from a series of experimental grids which deal with improvisation within structure.
This entire series is a building block for future letterform development. Eye Pattern Variations!
2 Prism Yellow Communication for Top and Bottom Eye
Adobe Illustrator, rulers, vectors, grids, rule sets.
17" by 17"
Fluorescent Activation Center Model Box 2b (Detail #2)
Wood (Ash and Pine), Laser-Cut Fluorescent Acrylic Sheets, DMX Fluorescent Black Light Strobe.
40” w x 34” h x 9" d
File: _021713_MPLD8
Selected from the Combinatorial Patterning/XY Patterning Archive.
Inter Grid #4
Fluorescent markers, water markers, pencil, pen, highlighters, rulers, grid paper, digital print on paper.
11" w x 17" h
Mask Texture Grid Growth: Oct 12: 2010:
Compression Variant File: Backing-Grids-1-5-2-2
Blue/Yellow Texture #4 Test
B-Sides: 7B
B-Sides is an ongoing digital drawing series of laser cut prints which deal with positive and negative space. This series functions as an research archive for the exploration of networks of pattern and repetition within depth of surface. Materials: digital prints on archival paper, Epilog laser cutter, ruler, exacto blade, pencil, vector editing software. This series is also a distant homage to the legendary Polish artist by the name of Wacław Szpakowski.